Our Sunday matinée performance at St. Matthew’s in Hillsboro will be presented as part of the church’s Fall Festival. Here’s a preview of Tchaikovsky’s All-Night Vigil on YouTube:
Hail, gladdening Light, of his pure glory poured, Who is the immortal Father, heavenly, blest, Holiest of holies, Jesus Christ our Lord! Now we are come to the sun’s hour of rest; The lights of evening round us shine; We hymn the Father, Son, and Holy Spirit divine. Worthiest art thou at all times to be sung With undefilèd tongue, Son of our God, giver of life, alone; Therefore in all the world thy glories, Lord, they own. Amen.
SPECIAL OFFER: Section A Ticket plus German Dinner for only $40. You may purchase a children’s ticket for free and pay for their dinner ticket at the door. You can enjoy your dinner either before or after the concert:
The Iași Byzantine Music Festival in Romania will present Cappella Romana, the world’s leading proponent of scholarship and performance of Medieval Byzantine Chant, in a concert on September 28, 2017, at 7:00 p.m., in the “Vasile Alecsandri” National Theatre. More information .
Music director Dr. Alexander Lingas will lead a mixed ensemble of men and women in medieval Byzantine chant from Hagia Sophia, music heard for the first time by modern audiences only last autumn, during the ensemble’s residency at Stanford University.
The program will feature medieval Byzantine chant from the nearly forgotten Cathedral Rite of Hagia Sophia, sung from performing editions prepared by Dr. Lingas and the Byzantine musicologists Drs. Ioannis Arvanitis and Spyridon Antonopoulos.
According to the festival website, for five days from September 27 to October 1, 2017, the capital of Byzantine chant will be the city of Iași, where some of the world’s most renowned performers of Byzantine music will perform concerts and religious services.
In addition to Cappella Romana, specializing in medieval Byzantine chant, the festival will also present the Greek Byzantine Choir, Greece; the Choir of the Nea Skiti Monastery, Mount Athos, Greece; the Choir of the Hamatoura Monastery, Lebanon; the “St John Damascene” Choir, Serbia; and multiple choirs and Byzantine chanters from Romania.
“We are thrilled to be invited to this prestigious event,” said Mark Powell, executive director of Cappella Romana. “We are grateful to His Eminence, Teofan, Archbishop of Iași and Metropolitan Bishop of Moldavia and Bukovina, and to Adrian Sîrbu and Ștefan Mihalcea (artistic and executive directors) for their support of Cappella Romana’s tour to the region.”
This is Cappella Romana’s first appearance in Romania.
About Cappella Romana
Its performances “like jeweled light flooding the space” (Los Angeles Times), Cappella Romana is a professional vocal chamber ensemble dedicated to combining passion with scholarship in its exploration of the musical traditions of the Christian East and West, with emphasis on early and contemporary music. Cappella Romana’s name refers to the medieval Greek concept of the Roman oikoumene (inhabited world), which embraced Rome and Western Europe, as well as the Byzantine Empire of Constantinople (“New Rome”) and its Slavic commonwealth.
Music Director and Founder Alexander Lingas and Cappella Romana have established themselves as global leaders in the music of the Christian East and West. A presentation by Cappella Romana is an experience unlike any other vocal music concert. Some programs feature ancient music never before heard by modern audiences; on other occasions new or rediscovered works based on ancient models are brought to audiences from leading contemporary composers.
Sunday, August 27th, Cappella Romana will present selections of Orthodox Music from the upcoming season at 2 and 4pm during the 40th Annual Middle East Festival at the St. George Antiochian Orthodox Church in Portland!
Cappella Romana first performed “Venice in the North” at the 2016 Early Music Festival in Utrecht (Netherlands). Make your April complete with this remarkable music!
An exploration of Russian Orthodox choral works from the Imperial Court Chapel in Saint Petersburg, by the Venetian Classical masters employed there under Catherine the Great.
“Venice in the North” explores revolutionary trends in 17th- and 18th-century Russian sacred music, featuring compositions for Orthodox services by Venetians Giuseppe Sarti and Baldassare Galuppi, and Galuppi’s star Ukrainian student Dmitri Bortnyansky.
Especially in Saint Petersburg, the liturgical arts of architecture, iconography, and singing displayed influence from the Baroque culture of the West, evident in music from the cultivation of Italian and Central European polyphonic styles.
The logo for Cappella Romana’s Arvo Pärt Festival, which begins on Sunday, has some hidden meanings we’d like you to notice.
First, the P in Pärt and the T in Festival are aligned in order to form a Staurogram, a ligature in ancient Christian manuscripts for the noun “cross” or its verb form “crucify.”
The V, Ä, and V are also aligned in order to form the early Christian “fish” or ichthys symbol. The ichthys made its first appearances as early as the 2nd century.
The final embedded element in the logo is the vertical word “ora,” which is the imperative form of the verb “pray” in Latin.
The music of Arvo Pärt is also embedded with initially hidden meanings and structures – which we hope you will discover during the festival!
The Arvo Pärt Festival
The first-ever festival in North America dedicated to the music of Estonian Orthodox composer Arvo Pärt will take place February 5 – 12, 2017 in Portland, Oregon, presented by the Northwest’s leading professional chamber choir, Cappella Romana. Arvo Pärt is the most performed living composer in the world. Full information.
The Arvo Pärt Festival features eight (8) live performances of music by Arvo Pärt with chamber music (including Spiegel im Spiegel), the complete organ works, a cappella choral works (including selections of the Kanon Pokajanen), a late-night performance of the Passio by candlelight, the Missa Syllabica sung in a Latin mass, and a festival finale featuring Pärt’s Te Deum for three choirs, strings, and prepared piano, Da Pacem Domine (commissioned by Jordi Savall in memory of the victims of the Madrid terrorist bombings in 2004), and the US premiere of Alleluia-Tropus celebrating St. Nicholas.
The live events of the festival will be preceded with a screening of the new film “Arvo Pärt: Even if I lose everything” at Whitsell Auditorium, NW Film Center.
The Arvo Pärt Festival also features two free public lectures, including “The Words Write My Music,” by Peter Bouteneff, professor of theology at St. Vladimir’s Orthodox Theological Seminary in New York and author of the new book Arvo Pärt: Out of Silence.
“When Alexander Lingas moved to San Francisco in 1990, the Greek Orthodox cathedral where he’d just been appointed associate cantor lay in ruins, devastated by the 1989 Loma Prieta earthquake. Lingas wanted to help the church rebuild – and the only contribution he could offer was music.
The Portland native had sung in his Greek Orthodox church, with local choir Cantores in Ecclesia and with the Portland State Chamber Choir. So he and his Portland musical friends piled into a van and headed south to perform a benefit concert. The church offered them lodging and a lavish, post-concert spaghetti dinner with freshly cured Greek olives.
After hearing the Northwesterners sing Greek Orthodox music from ancient Byzantium as well as contemporary Greek-American composers and more, nearly 300 listeners donated money for cathedral reconstruction. Lingas and friends decided to keep making music.…” —Brett Campbell, The Oregonian