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Cappella Romana on Tour in Romania at the Iași Byzantine Music Festival


The Iași Byzantine Music Festival in Romania will present Cappella Romana, the world’s leading proponent of scholarship and performance of Medieval Byzantine Chant, in a concert on September 28, 2017, at 7:00 p.m., in the “Vasile Alecsandri” National Theatre. More information .

Music director Dr. Alexander Lingas will lead a mixed ensemble of men and women in medieval Byzantine chant from Hagia Sophia, music heard for the first time by modern audiences only last autumn, during the ensemble’s residency at Stanford University.

The program will feature medieval Byzantine chant from the nearly forgotten Cathedral Rite of Hagia Sophia, sung from performing editions prepared by Dr. Lingas and the Byzantine musicologists Drs. Ioannis Arvanitis and Spyridon Antonopoulos.

According to the festival website, for five days from September 27 to October 1, 2017, the capital of Byzantine chant will be the city of Iași, where some of the world’s most renowned performers of Byzantine music will perform concerts and religious services.

In addition to Cappella Romana, specializing in medieval Byzantine chant, the festival will also present the Greek Byzantine Choir, Greece; the Choir of the Nea Skiti Monastery, Mount Athos, Greece; the Choir of the Hamatoura Monastery, Lebanon; the “St John Damascene” Choir, Serbia; and multiple choirs and Byzantine chanters from Romania.

“We are thrilled to be invited to this prestigious event,” said Mark Powell, executive director of Cappella Romana. “We are grateful to His Eminence, Teofan, Archbishop of Iași and Metropolitan Bishop of Moldavia and Bukovina, and to Adrian Sîrbu and Ștefan Mihalcea (artistic and executive directors) for their support of Cappella Romana’s tour to the region.”

This is Cappella Romana’s first appearance in Romania.

About Cappella Romana

Its performances “like jeweled light flooding the space” (Los Angeles Times), Cappella Romana is a professional vocal chamber ensemble dedicated to combining passion with scholarship in its exploration of the musical traditions of the Christian East and West, with emphasis on early and contemporary music. Cappella Romana’s name refers to the medieval Greek concept of the Roman oikoumene (inhabited world), which embraced Rome and Western Europe, as well as the Byzantine Empire of Constantinople (“New Rome”) and its Slavic commonwealth.
 
Music Director and Founder Alexander Lingas and Cappella Romana have established themselves as global leaders in the music of the Christian East and West. A presentation by Cappella Romana is an experience unlike any other vocal music concert. Some programs feature ancient music never before heard by modern audiences; on other occasions new or rediscovered works based on ancient models are brought to audiences from leading contemporary composers.

Preview the 2017-2018 Season on Spotify!

Explore The 2017-2018 Season

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Christmas in July!

Enjoy a 20% Off discount for Section A and B tickets to our Christmas programs when you use the promo code “ChristmasInJuly” before July 31st!

Byzantine Christmas: The Sun of Justice


Cappella’s Associate Music Director John Michael Boyer directs exhilarating Byzantine chants for Christmastide in Greek, Arabic, and English. Featuring Lebanon-born guest soloist, Rev’d Deacon John (Rassem) El Massih, and the release of a new CD of the program.

The 12 Days of Christmas in the East


Music director Alexander Lingas leads Cappella Romana in a program of early and contemporary music from the Greek Orthodox tradition for the 12 Days of Christmas. Medieval Byzantine chant, choral works by Greek-Americans Frank Desby, Tikey Zes, and Peter MIchaelides, and by Michael Adamis and Sir John Tavener. Originally performed in the Twelfth Night Festival at Trinity Church Wall Street, New York.

SEATTLE

Fri 5 Jan, 8:00pm
St. James Cathedral
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PORTLAND

Sat 6 Jan, 8:00pm
St. Mary’s Cathedral
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From The Desk of Mark Powell

Mark Powell, Executive Director

Dear friend,

Your very own Cappella Romana has had a very good 25th Anniversary year: three European tours (including visits to the UK, Belgium, the Netherlands, and Germany), a week-long residency at Stanford University in the Bay Area with recording sessions of medieval chant from Hagia Sophia, the Arvo Pärt Festival, and the group’s most ambitious Northwest concert series to date, just to name a few highlights.

A highlight for me this year had to have been during our Arvo Pärt Festival. You may not know that I wrote my master’s thesis many years ago on Pärt’s Kanon Pokajanen, and it was the “Prayer after the Kanon” that still somehow caught me completely off-guard. As Cappella Romana sang the final two “Amens,” it was difficult to imagine in that moment any art more piercing to the heart, more perceptive of the human condition. This unspeakably beautiful music ringing out in the cathedral seemed as if it were only for me.

I’m sure you also could share your own Cappella Romana highlight, whether from a recording or live in concert, and I hope you’ll tell us your stories.

Cappella Romana’s work is not an end in itself, but rather serves a higher purpose: to create beautiful, historically informed, transcendent experiences for you through the music of the Christian East and West. And all of this wouldn’t be possible without your support.

Would you make a new gift to the annual fund by June 30th?

Cappella Romana is reaching more audiences than ever before, providing free access through singing liturgical services, local festivals, radio broadcasts, and other outreach. Your giving now provides the base of support that is critical for taking new risks, making new recordings, and accepting invitations to perform all over the world.

Please make your contribution to our annual fund by June 30th and be part of our next chapter, too.

You can make your gift online or by mailing in the reply card enclosed, or by phone (503-236-8202). Monthly giving is also easy to set up. Thank you.

Yours always,

Mark Powell
Executive Director

P.S. Make a gift today to your Cappella Romana. Please also let us know your favorite memory of Cappella Romana when you make your gift. Thank you for your support.

Spyridon Antonopoulos on Medieval Church Acoustics

Dr. Spyridon Antonopoulos

Dr. Spyridon AntonopoulosThe Red Bull Music Academy features an interview with Cappella Romana’s own Dr. Spyridon Antonopoulos and Emma Warren for an exploration of the transcendent impact and contemporary relevance of medieval acoustics:

“‘Kalophonic music was more embellished and abstract,’ explains Antonopoulos. ‘There are entire compositions of just syllables. It’s an evolution where music seems to usurp text for the first time. To me, that demonstrates humans trying to reach this ineffable place, where speech failed. They had to use music.’ This, he says, is an example of humans trying to unify themselves to the cosmos, when speech is no longer sufficient. It’s what devotional music is all about. ‘This change happens when the massive urban basilicas of Late Antiquity begin to yield to smaller domed churches. Did these spaces respond? Did the music respond? We know there’s a relationship.’”

See the full feature and interview on RedBullMusicAcademy.com

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Help Support a New Arvo Pärt Recording

Composer Arvo Pärt
After multiple performances, and rave reviews of Arvo Pärt’s Odes of Repentance, Cappella is preparing to make a recording of this work — but in order to make it a reality, we’ll need your support!

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Venice in the North Previews

Venice in the North

Preview works on this weekend’s (April 28-30) Venice in the North program with videos from Cappella Romana performances at the 2016 Utrecht Early Music Festival:

Venice in the North

Cappella Romana first performed “Venice in the North” at the 2016 Early Music Festival in Utrecht (Netherlands). Make your April complete with this remarkable music!

An exploration of Russian Orthodox choral works from the Imperial Court Chapel in Saint Petersburg, by the Venetian Classical masters employed there under Catherine the Great.

“Venice in the North” explores revolutionary trends in 17th- and 18th-century Russian sacred music, featuring compositions for Orthodox services by Venetians Giuseppe Sarti and Baldassare Galuppi, and Galuppi’s star Ukrainian student Dmitri Bortnyansky.

Especially in Saint Petersburg, the liturgical arts of architecture, iconography, and singing displayed influence from the Baroque culture of the West, evident in music from the cultivation of Italian and Central European polyphonic styles.

Program Notes

Seattle
Friday 28 April, 7:30pm
St. Mark’s Cathedral

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Portland
Saturday 29 April, 8:00pm
St. Mary’s Cathedral

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Sunday 30 April, 3:00pm
St. Stephen’s Catholic Church

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Meet The Tallis Scholars

Cappella Romana Presents: The Tallis Scholars

Cappella Romana Presents: The Tallis Scholars

…The rock stars of Renaissance vocal music… —The New York Times

…one of the UK’s greatest cultural exports —BBC Radio 3

Tickets

Portland
Tuesday 4 April, 8:00pm
St. Mary’s Cathedral

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Seattle
Wednesday 5 April, 7:30pm
St. James Cathedral

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The Tallis Scholars were founded in 1973 by their director, Peter Phillips. Through their recordings and concert performances, they have established themselves as the leading exponents of Renaissance sacred music throughout the world. Peter Phillips has worked with the ensemble to create, through good tuning and blend, the purity and clarity of sound which he feels best serve the Renaissance repertoire, allowing every detail of the musical lines to be heard. It is the resulting beauty of sound for which The Tallis Scholars have become so widely renowned.

The Tallis Scholars perform in both sacred and secular venues, usually giving around 70 concerts each year across the globe. In 2013 the group celebrated their 40th anniversary with a World Tour performing 99 events in 80 venues in 16 countries and travelling sufficient air-miles to circumnavigate the globe four times. They kicked off the year with a spectacular concert in St Paul’s Cathedral, London, including a performance of Thomas Tallis’ 40-part motet Spem in alium and the world premieres of works written specially for them by Gabriel Jackson and Eric Whitacre. Their recording of the Missa Gloria tibi Trinitas by John Taverner, was released on the exact anniversary of their first concert in 1973 and enjoyed six weeks at number one in the UK Specialist Classical Album Chart. On 21st September 2015 the group gave their 2000th concert at St John’s Smith Square in London.

The 2016/2017 season will see the group travelling to Australia, China, USA, Russia, Japan, South Korea, as well as extensive touring around Europe and the UK.

Recordings by The Tallis Scholars have attracted many awards throughout the world. In 1987 their recording of Josquin’s Missa La sol fa re mi and Missa Pange lingua received Gramophone magazine’s Record of the Year award, the first recording of early music ever to win this coveted award. In 1989 the French magazine Diapason gave two of its Diapason d’Or de l’Année awards for the recordings of a mass and motets by Lassus and for Josquin’s two masses based on the chanson L’Homme armé. Their recording of Palestrina’s Missa Assumpta est Maria and Missa Sicut lilium was awarded Gramophone’s Early Music Award in 1991; they received the 1994 Early Music Award for their recording of music by Cipriano de Rore; and the same distinction again in 2005 for their disc of music by John Browne. The Tallis Scholars were nominated for a Grammy Award in 2001, 2009 and 2010. In November 2012 their recording of Josquin’s Missa De beata virgine and Missa Ave maris stella received a Diapason d’Or de l’Année and in their 40th anniversary year they were welcomed into the Gramophone ‘Hall of Fame’ by public vote. In a departure for the group in Spring 2015 The Tallis Scholars released a disc of music by Arvo Pärt called Tintinnabuli which has receive great praise across the board. The latest recording of Josquin masses Missa Di dadi and Missa Une mousse de Biscaye was released in October 2016.

Seattle Russian Chant Revival Preview

Cappella Romana Men

Cappella RomanaSeattle audiences have the exciting chance to preview our Russian Chant Revival program on Thursday, March 30th during a pre-concert session with the Seattle Symphony in their night devoted to Rachmaninov and his Russian influences! The preview is FREE with a Seattle Symphony ticket. Then, experience the full Russian Chant Revival performance at 7:30pm on Friday night at St. James Cathedral in Seattle!

Russian Chant Revival

The men of Cappella Romana perform music from Vespers, Matins, and the Divine Liturgy in the Slavic tradition, including powerful medieval chants, and choral works by Rimsky-Korsakov, Kastalsky, Chesnokov, and more.

Seattle
Friday 31 March, 7:30pm
St. James Cathedral

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Portland
Sunday 2 April, 3:00pm
Holy Trinity Greek Orthodox Cathedral

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Program information